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We were isolated, and the only time we got to connect was on set.

But gone were the days of meeting at some place for a meal or having big cast dinners none of that happened. The other wonderful thing we were all allowed to do was bring our families, which made it less isolating. were like, “Are you really sure that’s safe?” But having worked with Mike and Trevor before, there was an implicit trust and a willingness to do it. It felt daring and it did feel isolating, because nobody else I knew was working. And yet, because of the protocols that Mike, Trevor with Intrepid and Netflix all set forth, there was an odd feeling of safety.

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We were doing things that every medical professional was saying not to do. So it was percolating in our psyches and in our emotional lives, and it was terrifying. Mind you, we had a massive table read of all seven episodes, and then the next day, we all had to fly home. We were one of the first productions to get back up and running in August 2020, five months after the world shut down. Could you sense that your own feelings of isolation carried over into the work? These characters are isolated on an island, as were the cast and crew during the pandemic. It’s just a steady intellectual, scientific grounding, but everybody gets their meal. I think Rahul Kohli is doing something we’ve never seen before. There are so many quiet performances in all these things, but particularly in this. But he does give everybody their steak dinner, if you will, such as Robert Longstreet, who I adore.

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So I had to learn how to say “erythropoietic protoporphyria,” and it’s not even on camera! ( Laughs.) So I said to him the other day, I was like, “If I knew you were going to shoot the back of my head for that very scientific word, I wouldn’t have learned it!” ( Laughs.) I’m kidding, of course. Sarah Gunning, I have this whole expositional scene and purpose because she has to scientifically explain what could be happening in this metaphysical experience. Yes, this is a very astute observation, but I do have one bone to pick about this particular project. So when you see Mike Flanagan’s name on your caller ID, do you immediately start packing a suitcase?

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So I really do pray - with the emphasis on pray because it’s a religious series - that it resonates in different ways with people. It felt special when we were making it, and it felt special when I watched it. It’s not your typical horror, genre food.

I’ve been holding that hope because I know what we were a part of, so I really hope it resonates and lands. It’s truly a special piece of storytelling. In a recent conversation with THR, Gish also looks back at Halt and Catch Fire, Mystic Pizza‘s prop pizza and the challenges of joining great shows in the middle of their runs.Ĭongratulations on Midnight Mass. “I want to know my father and I want to know my mother, but Sarah lived in her conviction. “At the very end, if it was me, Annabeth, I probably would’ve taken the blood he tried to give me because I’m sentimental,” Gish shares. Gunning is shot to death by mistake, but in her dying moments, she refuses the vampiric blood of her father, Monsignor Pruitt/Father Paul (Hamish Linklater), a choice that Gish wouldn’t necessarily make herself. 'She-Hulk' Head Writer Jessica Gao Explains How That Hulk Recasting Nod Came To BeĪt the very end of the series, Dr.