She also exhibited with Abramovic in a group show at the Smart Museum in Chicago in 2012. Carroll has been exhibited at the Whitney Museum in New York and the ICA in London and is the recipient of Guggenheim and Rockefeller fellowships. It does not store any personal data.“Nothing” is a project that Mary Ellen Carroll, a New York-based conceptual artist, has been working on since the 1990s. The cookie is set by the GDPR Cookie Consent plugin and is used to store whether or not user has consented to the use of cookies. The cookie is used to store the user consent for the cookies in the category 'Performance'. This cookie is set by GDPR Cookie Consent plugin. The cookies is used to store the user consent for the cookies in the category 'Necessary'. The cookie is used to store the user consent for the cookies in the category 'Other. The cookie is set by GDPR cookie consent to record the user consent for the cookies in the category 'Functional'. The cookie is used to store the user consent for the cookies in the category 'Analytics'.

showing relevant, targeted ads on and off our web propertiesĭetailed information can be found on our Privacy Policy page. personalized search, content, and recommendations remembering privacy and security settings remembering account, browser, and regional preferences The Vinyl Factory Group, trading as: The Vinyl Factory, Vinyl Factory Manufacturing, Phonica Records, FACT Magazine, FACT TV, Spaces Magazine, Vinyl Space, and The Store X, uses cookies and similar technologies to give you a better experience, enabling things like: It is this journey towards immateriality that has led her to this unique moment in her work, where she will commit to an unscripted and improvised performance in the gallery space. The idea of emptiness – of minimalism, reduction and simplicity – plays an intrinsic role in Abramovic´’s own work, and has increasingly led to ‘more and more of less and less’, a longstanding aim that she recorded in her Artist’s Life manifesto of 2009. The pared-down nature of this exhibition corresponds to Abramovic´’s interest in the historically well established relationship between art and ‘nothingness’ visual artists including Robert Barry, John Cage, Yves Klein, Gustav Metzger and Yoko Ono have all explored the notion of material absence within their practice. The public will become the performing body, participating in the delivery of an unprecedented moment in the history of performance art. Creating the simplest of environments in the Gallery spaces, Abramović’s only materials will be herself, the audience and a selection of props that she may or may not use. In a unique work created for the Serpentine, Abramović will perform in the Gallery for the duration of her exhibition. Abramović performed this work every day for three months.

Abramović’s work was also included in Documenta VI, VII and IX (1977, 19) Venice Biennale 19, with the exhibition of Balkan Baroque in the latter earning her the Golden Lion Award for Best Artist.ĥ12 Hours is the first major performance by Abramović since her monumental piece The Artist is Present, at the Museum of Modern Art, New York in 2010, in which visitors were invited to sit in silence opposite the artist and gaze into her eyes for an unspecified amount of time. Guggenheim Museum, New York (2005) Museum of Modern Art, New York in (2010) the Garage Centre for Contemporary Culture, Moscow (2011) Kunsthalle, Vienna (2012). Her pioneering works of performance art have made her the subject of numerous solo and group exhibitions worldwide at institutions including Kunstmuseum and Grosse Halle, Bern, Switzerland and La Gallera, Valencia, Spain (1998) Solomon R. She moved to Amsterdam in 1976 and has lived in New York since 2001. Marina Abramović was born in 1946 in Belgrade, Serbia. Marina Abramović is a pioneer of performance as an art form, using her own body as subject and object to push the physical and mental limits of her being. * Hand signed and numbered by Marina Abramovic

* Limited edition of 100 copies worldwide * Bespoke inner sleeve, printed on red Colorplan * Bespoke gatefold sleeve, printed on Munken Smooth * Pressed on 180-gram white vinyl on the EMI 1400 * Recorded live in the Serpentine on 6th June 2014 * Captures the artist reading her ‘An Artist Life Manifesto’ * Unique recording of Marina Abramovic performance piece

The space in between abramovic chicago